At the beginning of my professional artistic career my work was mainly focused on figurative painting.
My paintings were inspired by the surrealism of Salvador Dali and influenced by my emotional experience. I used symbols and visual images arising from the subconscious.
My paintings were inspired by the surrealism of Salvador Dali and influenced by my emotional experience. I used symbols and visual images arising from the subconscious.
EARLY YEARS series
THROUGH BLURRED EYES
A significant turning point in my practice occurred in the last ten years following a severe deterioration of my vision. I now perceive the world through blurred, overlapping silhouettes: a constant double-vision effect that has redefined the way I see and create. Rather than withdrawing from visual production, I have transformed this condition into a generative force within my work.
I experiment with various techniques to capture the ephemeral nature of human senses, energy, memory, and emotions. Through layered compositions, fluid forms, and dynamic contrasts, I seek to translate fleeting sensations and intangible experiences into visual art.
Adopting new approaches, I create works that reflect the way I now process visual information. This method is not merely aesthetic; it is deeply conceptual, allowing me to embed multiple layers of meaning within a single piece, where understanding emerges through metaphor, memory, and semiotic association.
Through this process, my work invites slow looking and introspection, offering poetic yet critical reflections on visibility, vulnerability, and the female experience.
I experiment with various techniques to capture the ephemeral nature of human senses, energy, memory, and emotions. Through layered compositions, fluid forms, and dynamic contrasts, I seek to translate fleeting sensations and intangible experiences into visual art.
Adopting new approaches, I create works that reflect the way I now process visual information. This method is not merely aesthetic; it is deeply conceptual, allowing me to embed multiple layers of meaning within a single piece, where understanding emerges through metaphor, memory, and semiotic association.
Through this process, my work invites slow looking and introspection, offering poetic yet critical reflections on visibility, vulnerability, and the female experience.
DIALOGUE series
My resent project, Dialogue, explores the intersection of past and present, reinterpreting historical narratives of gender inequality and the female role in society through a contemporary lens. In this series, I superimpose iconic Old Master paintings with self-portraiture interwoven with elements of floral still life. The recurring motifs of flowers and the female figure symbolise two intertwined forces; both nurturing and life-giving, offering a poetic reflection on strength, femininity, and transformation.
By layering classical iconography with contemporary motifs and personal silhouettes, I construct visual texts that challenge fixed interpretations. I initiate a dialogue around visibility, agency, and the narratives that have historically been silenced or omitted.
The works are conceived digitally using specialised equipment adapted to visual impairment. Each image develops through an intensive process of aesthetic, intellectual, and emotional refinement ensuring that the final composition resonated on multiple levels. Once finalised, the digital composition is transferred onto museum-quality canvas and further transformed through meticulous hand-finishing using acrylic, airbrush, and gold leaf.
By layering classical iconography with contemporary motifs and personal silhouettes, I construct visual texts that challenge fixed interpretations. I initiate a dialogue around visibility, agency, and the narratives that have historically been silenced or omitted.
The works are conceived digitally using specialised equipment adapted to visual impairment. Each image develops through an intensive process of aesthetic, intellectual, and emotional refinement ensuring that the final composition resonated on multiple levels. Once finalised, the digital composition is transferred onto museum-quality canvas and further transformed through meticulous hand-finishing using acrylic, airbrush, and gold leaf.
DOUBLE VISION series
"To see a World in a Grain of Sand,
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand,
And Eternity in an hour.”
William Blake
A few years ago, my vision began to deteriorate drastically. Now, I can see only blurry silhouettes with a double-vision effect. This led me to incorporate the superimposition technique into my art practice, allowing me to depict the way I perceive the world.
The Double Vision series explores the fragile beauty of flowers as a symbol of transience, sensuality, and ephemerality. Rooted in the Vanitas tradition, the flower becomes both an image and a metaphor; suspended between presence and disappearance.
Through layered composition, I create a dual visual field where forms dissolve and re-emerge. The flower is not fixed; it invites the viewer into an active process of perception and interpretation, a quiet act of “decoding” meaning beyond the visible.
The work was conceived digitally using specialised equipment adapted to visual impairment. The final image is produced on museum-quality canvas and enhanced through hand-finishing with acrylic and airbrush.
I invite the viewer to draw from their own memory and emotional recognition, stimulating their intellectual reflexivity and perception. It allows for the process of co-creation by inviting the spectator’s imagination to build a unique interpretation and dialogue.
The project's images were conceived digitally using specialised equipment tailored to accommodate visual impairment, allowing me to work with precision despite significant limitations in sight. Over the course of several weeks, I engaged in an intensive process of aesthetic, intellectual, and emotional refinement - ensuring that the final composition resonated on multiple levels. Upon completion, the digital image was transferred onto highest quality canvas and further elevated through meticulous hand-finishing with acrylic and airbrush. This deliberate fusion of digital innovation and traditional materiality imbues the work with both conceptual depth and tactile richness, bridging contemporary visual language with classical craft.
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand,
And Eternity in an hour.”
William Blake
A few years ago, my vision began to deteriorate drastically. Now, I can see only blurry silhouettes with a double-vision effect. This led me to incorporate the superimposition technique into my art practice, allowing me to depict the way I perceive the world.
The Double Vision series explores the fragile beauty of flowers as a symbol of transience, sensuality, and ephemerality. Rooted in the Vanitas tradition, the flower becomes both an image and a metaphor; suspended between presence and disappearance.
Through layered composition, I create a dual visual field where forms dissolve and re-emerge. The flower is not fixed; it invites the viewer into an active process of perception and interpretation, a quiet act of “decoding” meaning beyond the visible.
The work was conceived digitally using specialised equipment adapted to visual impairment. The final image is produced on museum-quality canvas and enhanced through hand-finishing with acrylic and airbrush.
I invite the viewer to draw from their own memory and emotional recognition, stimulating their intellectual reflexivity and perception. It allows for the process of co-creation by inviting the spectator’s imagination to build a unique interpretation and dialogue.
The project's images were conceived digitally using specialised equipment tailored to accommodate visual impairment, allowing me to work with precision despite significant limitations in sight. Over the course of several weeks, I engaged in an intensive process of aesthetic, intellectual, and emotional refinement - ensuring that the final composition resonated on multiple levels. Upon completion, the digital image was transferred onto highest quality canvas and further elevated through meticulous hand-finishing with acrylic and airbrush. This deliberate fusion of digital innovation and traditional materiality imbues the work with both conceptual depth and tactile richness, bridging contemporary visual language with classical craft.
Collector inquiries and artwork acquisitions are warmly welcome
Original works and limited-edition prints (maximum 10 per series) are available on request.
Each artwork is hand-finished, signed, and accompanied by a Certificate of Authenticity.
Worldwide shipping is available.
Please enquire for availability and pricing.
Original works and limited-edition prints (maximum 10 per series) are available on request.
Each artwork is hand-finished, signed, and accompanied by a Certificate of Authenticity.
Worldwide shipping is available.
Please enquire for availability and pricing.